
I have prolonged this entry until I was completely sure that I was cast in my school's first production. The cast list went up this morning, and the level of excitement I experienced when I saw my name next to Dr. Zubritsky was higher than when Hiro found out that he could manipulate the space-time continuum. Random Heroes references aside, I wanted to write my thoughts on the audition process, seeing as this was the first time I have ever auditioned for a play.
Last Thursday and Friday, the Theatre Department announced that they would be holding auditions for
Fools on Monday and Tuesday. When people started signing up for audition dates, I was surprised to see how much response the play got. There were at least a hundred people who singed up to audition. I've been in Drama Club for the past two years, so I've always known that the Theatre Department has always been relatively small, and it isn't exactly the most popular thing at our school. Our school is a magnet school, so it attracts those who are in tune with their intellectual side of their brain, more than their artistic side. Students like Science Olympiad, Computer Science, and AP classes, more than the Theatre Department. Don't get me wrong, my school puts on good productions, it's just that in my experience, we haven't got nearly as much response as we did for
Fools. When it was all said and done, there were forty auditions on Monday and then close to sixty on Tuesday.
Even though my audition was on Monday, I helped out on Tuesday with moving people forward, finding people to read with others, and just making everything go more smooth. For our audition, we were todl to prepare a monologue as well as a dialogue from
Fools. On Monday, I showed up ready to audition, and while I waited my scene partner and I practiced our dialogue for half of the time, and then we each practiced our monologues. In all honesty, I perfected my monologue to such that that was the thing that was going to push me over the top. Then, when it came time to audition, the directors told us that they did not have enough time do hear our monologues and that we would just perform the piece from the play itself. Both my scene partner and I were so mad that we didn't get to perform our monologues. I panicked to the point where I was doubting I'd get a call back.
I was very nervous after my audition, but all I could do was hope that instead of seeing how badly (I think we're all self-conscious) I did, the directors saw my potential as an actor. Of course, with some foreshadowing at the beginning of this blog entry, you know that I got a call back. One thing that never failed to surprise me throughout the entire process was how punctual the directors were in putting up the call back list or even the staff list. If they told us the call back list would be by the Drama Room at the beginning of first period, you'd better believe they were pinning it up a few seconds before the bell rang. That and a couple of other things really made me believe that I was taking part in something professionally done, as opposed to an amateur production where there is a huge lack of communication between the directors and the actors.
Call backs started promptly at 3:10. Those who came in late, regardless of their "excuse" were frowned upon, because it was like them saying that they didn't care about the call back enough to get there on time, and, when looking at the bigger picture, it was almost showing the directors how punctual they would be when the actual production was being prepared. Funnily enough, most of the people who showed up to the call back late did not get cast.
When we arrived, they immediately paired us with our counterparts. Leon was paired with Sophia, Dr. Zubritsky was paired with Lenya, and so on. I, being called back for the Doctor, was paired up with the same scene partner I had during the initial auditions
and we ha the same scene. In a sense, I viewed this as an advantage on my part because we had "perfected" our scene and all we needed to do was work on a few areas of it. I think we practiced it about twenty-five times, and then finally went back into the theater, reading to perform it. It was an open audition, so we were able to see the other people and then whisper things to each other regarding things such as the other actors' techniques, things that we liked about their call back, things that we didn't like about their call back, and so on.
Now is an ideal time to comment on the play itself.
Fools tells the story of a schoolteacher who has taken up a pupil in the village of Kolyenchikoc who is apparently unteachable. When the schoolteacher realizes the village is cursed with stupidity, and the only way to break the curse is either to teach the girl or to have the girl marry Count Gregor (who, other than the curse itself, is the antagonist of the play), he makes it his mission to break the curse as he falls in love with Sophia, the beatiful girl. I have been cast for Doctor Nikolai Zubritski, the father of Sophia. Everyone in the play, save Leon, is cursed with stupidity, and the play is written in a very Amelia Bedelia-esque style, where almost
everything is taken literally.
Fools allegedly was written as the result of an agreement Simon made with his wife during their divorce proceedings. She was promised the profits of his next play, so he attempted to write something that never would last on Broadway. Given it closed after forty performances, he succeeded. Regardless, it fits in with the type of comedy we see enjoy today.
The scene that auditioned with and used during my call back is not the funniest scene in the entire play. As a matter of fact, save Leon's monologue at the beginning, it is the most boring of scenes. So I was especially bummed out when everyone else's call back scenes made the directors laugh and mine only caused them to raise an eyebrow, look down at their notes, and write furiously. I didn't know it while I was acting out my scene, but I was slightly disappointed that they didn't pick a more funny scene for the Doctor, because, in my opinion, the particular scene that I had did not allow me to show the directors the full extent of my capabilities. After we did our scenes, the directors dismissed all of the Lenya's from the theater, but kept all of the Doctors.
On a side note, for each production our school puts on, we have two casts - Cast A and Cast B. There are ten characters in the play which means that the directors casted twenty people, not counting all of the tech people.
There were three people who got called back for the Doctor - myself, Jordan, and Brian (I'll use pseudonyms to keep the identities of the actual people anonymous). Jordan, in my opinion is an exquisite actor and his skills, without a doubt, transcend my own. Brian, on the other hand, is someone average. I would, honestly, range myself somewhere between Brian and Jordan, being much further from Jordan than Brian, but still in range of Brian. If you had no idea what I just said: good. One of the directors then called back myself and Brian. She paired us up with two people who were called back for Leon, handed us a new script and told us each to play Count Gregor.
I was slightly confused, but when I read the script, I realized why she had done so. I believe that her reasoning was based on the fact that that the comedy in the Count Gregor and Leon scene is so rich and the directors wanted to see how well we handled comedy, since that's what the majority of the play is based on. So I went outside with Stone (again, a pseudonym) and we rehearsed the scene about five times. This time I was very confident, and I knew that I could nail all of the jokes, and even create some with my actions that weren't necessarily explicitly written into the scene. After Stone and I rehearsed it, we went back into the theater where we let Brian and his partner perform their Gregor and Leon scene before we did ours.
To sum up the audience's reaction to our scene in one word, I would use: hysterical. I thought that the female director (On a side note, there is a female director and a male director. The male director's wife is going to have a baby soon, so the female director will cradle the play while he is cradling his child.) was going to lay an egg. She was laughing so hard that I was confident I had been cast. I didn't care whether I played Count Gregor or Dr. Zubritsky, because both of them had their share of jokes. Count Gregor is a smaller part and Dr. Zubritsky has
much more stage time, but it didn't really matter as this is the first production I've participated in. I left with a feeling of accomplishment. I was the last scene, and I didn't hear that much laughter throughout the entire call back session.
The cast list was posted this morning, at exactly 8 AM. Four of my friends and I skipped the first five minutes (with permission, of course) of our first period to see if we had been cast. Thankfully, all five of us got a part in the play. Some big, some small, but definitely all essential to the success of the production. I am extremely excited to be participating in
Fools, but my only fear is that by the end of this all, I will have lost the remnants of my sanity, as I have so many commitments right now. It sure is going to be crazy, and I don't care what science says about girls being able to multi-task better than boys, I can do it. And I'll do it well.